Hakochannoohinasama (Japanese Edition)
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Friendship Commission, the Japan-U. Instructional Films and Lessons.
The Center for New American Media. Here are some of the scenes included in The Japanese Version: The Japanese Version is an ideal teaching tool for both schools and businesses. A valuable up-to-date complement to books and films dealing with classical Japanese culture. An entertaining testimonial to the warmth and humor of Japanese popular culture.
A rewarding employee-education tool for US-based Japanese companies with American employees. Andrew Kolker , Louis Alvarez. Shedding new light upon issues of global diversity, this documentary focuses on the extent to which a "fairness fetish" has permeated various levels of Indian society.
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It is based on the real life experience of a farmer from the poverty-stricken Northeast region of Thailand. Leaving home is what most of us do -- eventually. Aside from the regulations the Japanese government has implemented, another reason a lot of bands do special japanese releases is for the simple fact that people in japan actually still buy music.
And a lot of it, too. Theres still a culture of buying physical copies of the media you consume. The first time i was in Tokyo i was blown away that the convenience stores had newsstands, and they were huge and with a wide variety of stuff. Not to mention the number of record stores there are.
Japan has laws set up so that you can only sell albums from Japanese record labels. Because of that, most artists that tour Japan will have a partner label that prints a Japanese version so that they can sell the album while touring in Japan. Understanding that record collector fans will buy alternate versions of records to complete their collections, artists will often have an unreleased track, remix, or alternate version of songs and artwork to make it worthwhile for the collector to spend money on the import.
Or maybe just Japanese language sleeve art? That would be hilarious. We're talking about same songs and additionally one or two more tracks on different albums just for Japan in this context. Some artists off the top of my head Bowie used to make the Japan only tracks available to the rest of the world a year or so later, normally as b-sides or if you like extra tracks on CD singles.
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Japan has one of the largest music industries on the planet - there's big dollars to be made there. I've heard from record shop owners that Japanese vinyl is thicker and therefore better sound. So they can sell albums to the giant Japan market.
Hakochannoohinasama (Japanese Edition)
Is this really something you needed explained in detail? You know this guy is getting downvoted maybe for tone and maybe due to lack of clarity, but from the documentaries I've watched, this is right. My understanding is that there is at least some level of feeling that outsiders need to adapt to Japan. I believe the documentary mentioned that Psy was one of the first artists to have real success by not doing this maybe first SK artist actually because his song was so ridiculously popular.
This may only apply to nearby Asian countries, however, who there could be a feeling of superiority towards. This isn't meant to be inflammatory to the Japanese; just what I've seen. Heck it takes pretty big acts like Rammstein or Shakira to really pull this off in the states and other English speaking countries, though we also have a ton of huge English speaking acts here to choose from making larger barriers to entry. They wouldn't need a separate version with bonus tracks to do this as you can buy imported CDs from the US or more accurately from china through US companies.
PDF Hakochannoohinasama (Japanese Edition)
Welcome to Reddit, the front page of the internet. Become a Redditor and subscribe to one of thousands of communities. Usually in perfectly good shape too. A new cd might be yen, two years later it's maybe yen. A new regular comic book is around yen, used ones yen. I once worked for a label and it always seemed like they were chasing the short term 'gain' rather than focusing on the bigger picture. There are still a lot of executives who lived and worked through the high-rolling industry of the 90's before it started to collapse in the '00s I'm enjoying watching the industry adapt now as younger people who never experienced that now have their chance to revolutionise a stale, dying business.
I remember reading before that regular non-japanese versions of albums sold for next to nothing in markets in Japan, making the artists virtually no money. So the idea of adding a bonus tracks was introduced to encourage japanese people to pay a little more for the bigger albums.
And yes, selling below the regulated price is punishable by law. So it's less a matter of not profiting enough and more a matter of profiting more than elsewhere, right? I'm not so sure about that This is a lot cheaper than the yen domestics but it's still around the price of a new cd in the States, if not a bit more. My band did this. Our label did not have great distribution in Japan and a Japanese label showed interest in putting our last album out there so we worked out a deal.
We recorded one extra song, they included a Japanese translation of all the lyrics inside, and put our faces in stores all over Japan. We ended up selling more albums in the first month there than we did in the rest of the world in the first year. Worked out well for everyone. Yep, this answer deserves more up votes. The Japanese music industry is pretty huge.
Some teenage wannabe friends in the UK had a fairly ordinary four-piece and a crazy ambitious manager who took them on tour to Japan three times inside a year. Back home they struggled to get a crowd of at their gigs, but over there with a bit of clever PR and they were selling out venues of ten times that capacity, plus off-loading tons of merchandise. They didn't ultimately make any serious money, because of the high expenses and the deal he'd put them on - but they had a wild time! Because the entertainment industry in Japan is fucked.
For a variety of reasons, ALL cds sold at retail stores are sold at a government-regulated price. It is illegal to sell them for less. This means that if foreign labels want Japanese retailers to carry their product, they have to give them something that merits the higher price.
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If the content was identical to the foreign import, there wouldn't be any reason for the consumer to buy the domestic version at the artificially inflated price point and thus no reason for retailers to bother carrying the product. The system, established in , allows owners of copyrighted material to set the minimum retail price of newly released or re-released products , thus eliminating any possiblilty of discounting.
It's not the artists making it, it's the Japanese importer. Japanese consumers have historically preferred album booklets and ancillary materials to be in Japanese, and this necessitates a special run of albums, which is usually paid for by Japanese distributors.
The Japanese Version
The distributor occasionally commissions translations and new art or adjusted art , where appropriate. Those distributors always add the "Obi", that paper sleeve on the left-hand side of the disc's case unique to Japanese releases. All of these things drive up the price of the album, though, since distributors want to make a cut for the service they provide. To help offset this, and to keep Japanese consumers paying higher prices for localized albums rather than just buying the import in its original language , distributors often negotiate the addition of "B-side" tracks to help add some value.