Red Enters the Eye (Comma Singles)

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I lack the - faith.

Wouldn't you have to believe in God and Christ and all the holy fucking angels, before you could take a leap into blind space? Except I have to leap anyway. He's coming, to shake me out of the cage.

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To uncurl my toes from the perch. Rogers is an expert writer, unshowy, on the button.

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A little gem of a book. Apr 14, For Books' Sake rated it really liked it.

Clarke Award, Hitting Trees with Sticks is a collection of short stories, both previously published and new, brought together here for the first time. In this, her first short story collection, Jane Rogers displays her alchemical abilities to transport and transform her ideas across continents, minds and hearts, and she is kind enough to take us with her.

Rogers takes us back to "By the winner of the Arthur C. Rogers takes us back to the night of conception and the empty old farmhouse with its lonely keeper; a man whose wife has left him.

Well crafted, with a couple of poignant moments. The first and last stories are very good - most of the others fall a bit flat.

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A collection of twenty literary short stories. Oct 21, Karen rated it really liked it. These are varied morsels to mouthfuls of stories and settings that are all appetizing and satisfying at the same time. Yes, you want a second course but are happy to move on to the next flavours, usually completely different.

Customer reviews

Great craftsmanship for this genre. View 1 comment. May 17, David Kenvyn rated it really liked it. A weirdly affecting collection of stories about the trials, tribulations and triumphs of dealing with that impossible disease, life.

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Jim rated it really liked it Oct 12, Barbara Lamplugh rated it really liked it Jul 09, Kate Mitchell rated it it was amazing Oct 29, Helen Wilson rated it really liked it Jan 31, Comma Press rated it it was amazing Jan 29, Amy Tunstall rated it really liked it Aug 07, Vicki Jarrett rated it liked it Oct 01, Rachel rated it it was amazing Aug 01, Ruby rated it liked it Sep 30, Jacquie Rogers rated it really liked it Oct 07, Kate Skillington rated it really liked it Sep 29, Amy rated it it was ok Jan 07, Andrew Gray rated it it was amazing Feb 02, Stefan rated it liked it Feb 08, Mortimer rated it liked it Apr 19, Sabrina Davis rated it really liked it Jun 19, Rik Measures rated it really liked it Jan 12, Wei rated it really liked it Jan 10, Deaddad rated it really liked it Jun 20, Luci marked it as to-read Mar 10, Bea7rixkiddo marked it as to-read May 16, Aimee marked it as to-read Apr 05, Angela Cheetham marked it as to-read Oct 13, Chris Miles marked it as to-read Nov 20, Magdalena marked it as to-read Dec 30, Sara added it Jan 27, Jill marked it as to-read May 22, Kiki Terrell marked it as to-read Aug 08, Jane added it Dec 17, Alexandra marked it as to-read Dec 23, Elizabeth marked it as to-read Dec 27, Paul marked it as to-read Feb 15, Heather Brice marked it as to-read Jan 01, Saskia Burridge marked it as to-read Feb 18, Nika Maglaperidze marked it as to-read Apr 18, Tahmina Nizam marked it as to-read Oct 06, Laura marked it as to-read May 31, K marked it as to-read Aug 10, The spoken word and sung vocals are heavily drenched in eerie echo and effects, giving a futuristic, digital hardcore and industrial kind of vibe.

The screaming style and choice of melodies for the screamed sections has some obvious metalcore influences. And in the rapping and beats you can hear traditional trap styles.


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Some call it trap-metal. Some call it alternative rap. RIP headphone users.

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When the vocals eventually come in, its wish a harsh scream which gives way to a low, growled, spoken word verse, a staple sound throughout the record. This is uncomfortable music in the best way possible. The vocals drift between screams, raps and singing, all done with masterful control and heaps of echo.